We’ve all heard the story before: Girl meets boy. Girl leaves boy. Girls runs into boy several years later. Complications ensue. It’s a simple formula that allows for endless variation, with good and not-so-good results. The Boy Downstairs, the feature-length debut of writer/director Sophie Brooks, falls maddeningly into the middle ground between the two. Its capable if clichéd script allows enough room for the main players to find a little magic, before the disappointing denouement undoes their hard work.
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| Zosia Marmet and Matthew Shear in The Boy Downstairs |
The film shifts between present day and four years in the past. Currently, Diana (Zosia Mamet) has just returned to New York after two years abroad. With no place but a friend’s couch to sleep, she jumps at the opportunity to move into an apartment owned by Amy (Deirdre O'Connell), a motherly former actress and widow who didn’t want to let go of a home with so much family history. What Diana doesn’t know when she signs the lease is that her ex-boyfriend Ben (Matthew Shear) lives in the basement apartment. They met four years earlier, before her move to London, bonding over a shared sense of humor and artistic aspirations. As present-day Ben and Diana adjust to their new and unplanned proximity, we also watch their relationship blossom, then wither, in the past.








